Diving Deeper into Slabs: Handbuilding 102 at Black Hound Clay South

Black Hound Clay Studio South: 1701 Federal Street in South Philadelphia is the setting for Handbuilding 102 — Diving Deeper into Slabs, an eight‑week Monday‑evening course led by instructor Madeline Rothman. The series runs January 11 through March 1, meeting 6–9 pm, and accepts students aged eighteen and older with a class cap of twelve. This waitlist listing lets interested makers register for notification if a spot opens; email [email protected] for questions.

Through progressive, hands‑on exercises the course focuses on slab construction: rolling consistent thicknesses, cutting templates, scoring and slipping neat joins, shaping flat sections into cups, boxes and low sculptural forms, and building clean edges that survive drying. Worktables are laid out with rolling pins, ribs, templates and tubs of prepared clay; drying racks and shelving hold in‑progress pieces so learners can observe how moisture and time affect form. Demonstrations break down measurement, pattern transfer, edge finishing and strategies to minimize warping. Madeline offers close critique and practical fixes so students leave with reproducible methods rather than one‑off pieces.

For visitors the class is a concentrated introduction to Philadelphia’s evolving maker culture: small class sizes, accessible schedules and communal bench time that reward repetition and feedback. Black Hound Clay South operates in a practical storefront environment that puts production tools in plain view, making technique visible for photographers and for peers to learn by watching. The emphasis on slabwork gives students a fast route to geometric and architectural ceramics—plates, boxes, tiles and nested forms—that translate well to both functional use and gallery display. The studio advocates resourceful clay use and reclaim practices; students learn ways to save offcuts and reclaim trimmings during the course.

Practical logistics are straightforward: the evening schedule suits those balancing work or travel, the modest group size ensures individualized attention, and the eight‑session format encourages cumulative improvement. Bring an apron, hand towels and closed‑toe shoes; tools and clay are typically provided but confirm when you register. Expect to commit to practice between sessions—slab projects continue to change as they dry and benefit from recurring adjustments. Because the class runs in winter months, plan transit or parking in advance and allow time to move wet work carefully to avoid damage.

Whether you’re a local refining a home practice or a visitor seeking a hands‑on cultural exchange, Handbuilding 102 at Black Hound Clay South is a focused option that rewards repetition, critique and thoughtful material stewardship. The class’s small scale and focused syllabus make it a standout option among Philadelphia arts offerings; combined with nearby restaurants and galleries it’s an efficient evening itinerary. Join the waitlist to be notified if space opens; if you get in, expect firm feedback, sustained practice and a sensible pathway from slab.